In this early stage of the ’59 series, I need some thorough testing to get a good understanding of the sound and how they are appreciated. Especially because vintage guitars and the real ’59s (build between ’58 and ’60) sound a bit differently than the ones that are build today. My quest is to design a open sounding vintage voiced ’59, what some people call a “tele on steroid”. No muddy neck pickup, but open, bright and with articulation, great dynamics and string separation. What I call, thinner but broader. To find out if people recognized this in my ’59s, I organized a double blind test with eight very different players (from jazz to metal to vintage rock) who tested, scored and judged the guitars, purely on their ears and playability. Here a short impression of the results.